Cyberspecies Proximity (2020) explores what it will mean to share our sidewalks, elevators and transport systems in close proximity with mobile intelligent robots. The Cyberspecies Proximity robot combines the way-finding technologies used in delivery and maintenance robots with an ability to communicate and manipulate our emotions through body-language, embodied in a delicate humanoid form. The work challenges audiences to confront the technological, ethical, and societal questions raised by the advent of urban socially-aware robots.
Alex May and Anna Dumitriu undertook a STARTS Residency to develop their explorations of robotic movement through an in depth collaboration with the Human Robot Co-Mobility project led by the New Technologies team at Schindler.
The robot is able to move around an exhibition space using a predefined map created using SLAM technology combined with an Intel RealSense Tracking Camera sensor. It reacts and responds to the body language of audience members through a multi-layered face, skeleton, body and movement tracking algorithm connected to an Intel RealSense Depth Camera sensor. The artwork was programmed in C++ and Fugio, the Open Source Visual Programming System created by Alex May.
The small and fragile humanoid form is dressed in the clothes of a worker; its frail and insignificant body reminds us of the social groups that will be most affected by future automation. The robot’s head and hands are made from 3D printed grey PLA and it intentionally avoids categorizations of race and gender. There is extensive research into the relationship of robot appearance and social biases with the great majority of robots being white. The role of the robot is often related to gender bias also with personal assistant and care robots being predominantly ‘female’. In “Cyberspecies Proximity” the artists have sought to problematize this issue within both the design and engineering communities and kick start debates on the unrecognized biases in common design practices.
The robot can be exhibited in a gallery or museum exhibition setting where it will roam around a predefined area using the Intel SLAM sensor to localize itself. It will look at the audience around it, using its RGB and depth cameras to search for poses, faces, bodies, movement and other interesting features using a combination of computer vision and machine learning algorithms working together as a hierarchical system for directing its attention and gaze. It will approach audience members and physically ‘communicate’ with them through movement, tilting its head, and responding to the poses of audience members with its own body language poses. The robot does not mimic or mirror the poses of audience members but rather recognizes the various ‘meanings’ of poses and then reacts with an appropriate pose of its own, from an extensive pre-defined library of poses and responses.
The artists have also been inspired by the methodologies of the construction industry and have developed a ‘digital twin’ of the robot, a virtual screen/wall-based version that can be exhibited in settings where a mobile robot is not practical. The digital twin is an accurate virtual model of the physical robot, created using the same 3D CAD assets used to build the robot, including precision models of all the motors in their various forms, the metal frame underpinning the form and the 3D designs of the head and hands. The digital twin also works with an Intel RealSense Camera sensor and uses exactly the same code base as the physical robot. Cyberspecies Proximity: Digital Twin version would also be suitable to be exhibited within an elevator space in the form of a performative (confined and time-limited) and interactive digital installation exploring human and robot interaction and co-mobility.
The project forces us to consider issues of ownership of public spaces as well as the broader ethical implications of how we design robots and behave towards them. The work challenges audiences to confront the technological, ethical, and societal questions raised by the advent of urban socially-aware robots.
Dumitriu and May are pioneers in creating robotic artworks that performatively explore our relationships to new technologies, from HARR1, their constantly moving humanoid robot which exhibits body language and boredom, to Antisocial Swarm Robots which make explicit the human need to project life-like behaviour on robots and explore our audience’s inability to deconstruct even the simplest algorithms.
Schindler interviewed Anna Dumitriu and Alex May were about their residency with the company in “Sharing a Space with a Robot” in May 2020.
Cyberspecies Proximity is a project by Anna Dumitriu and Alex May with the support of the VERTIGO project as part of the STARTS program of the European Commission, based on technological elements from Schindler, with the support of Stichting Waag Society.
- Creative Comm 21 – August 16, 2021Alex May is speaking at Creative Comm: an annual knowledge exchange conference, hosted by the National Centre for Creativity enabled by AI programmed to appeal to a broad range of people who are interested and working in technology, creativity and knowledge exchange.
- Talk: Digital Arts Practice in the time of the Pandemic – July 20, 2020Alex May will preview new work in response to the pandemic lock down, exploring the opportunities and drawbacks of dissemination of digital arts online.
- Sharing a space with a robot – May 20, 2020Since 2019, Anna Dumitriu and Alex May have been working with Schindler on an artistic project that explores what it would be like to share social spaces with robots.