Shadows of Light

An interactive video installation that rewards stillness by slowly turning visitors into layered, dripping silhouettes of light and colour.

Shadows of Light showing two layered human silhouettes in blue and white, surrounded by flowing fields of colour that drip vertically down the screen.

Shadows of Light is an interactive video installation that asks visitors to slow down rather than react quickly. When someone stands still in front of the work, the system gradually captures their silhouette and uses it as a digital stencil, building fields of colour that drip, spread, and merge with the traces of other bodies. The image accumulates through attention and patience, turning the act of viewing into the condition that makes the work visible.

Time is the medium that matters here. Because the work rewards stillness and leaves traces behind, it turns interaction into residue rather than instant feedback. That shift from live presence to delayed mark-making keeps Shadows of Light close to May’s wider interest in memory, recording, and the fragile afterlife of experience within digital systems.

Additional notes

  • Format: interactive single-channel video installation using a single computer, Microsoft Kinect, and a single video projector or monitor.
  • Size: variable.
  • First presented at Kinetica Art Fair in 2011.
  • Two instances of the work were shown side by side in the South Tank at Tate Modern, London, in 2013.
  • Included in Embodied Encounters at the Beall Center for Art and Technology, Irvine, in 2016-17.
  • Also exhibited as a solo presentation at the University of Calgary in 2016.
  • The original 2009 version of Shadows of Light, developed with Martin A. Smith, took the form of a dance performance in London.